- Artist Site
Available at Artist's site.
- Nancy Reagan Told Me To
- History Of My Silence
- Boobies In The Key Of Double A
- 6-9 On 9/11
- Power Poop
- Desensitized? Revitalize!
- Mighty Sodomitey
- Homeland Insecurity
- Where 2 Lines Collide
- Man Enough
- Letter To Tom
The spoken word duo of Rocket and Katz, Athens Boys Choir was signed to Daemon Records in 2003. Their release Rhapsody in T was a standard-bearer for the queer movement of a new generation. Katz continues the art of Athens Boys Choir-sometimes solo, sometimes in collaboration with other artist-and releases his CDs independently. Here’s some words about Katz’s art!
Ok, so the name Athens Boys Choir can be a bit deceiving but you can’t blame a Transsexual man living in the Deep South for having a sense of humor about the whole ordeal. So Katz, the Choir’s now solo member, travels the country speaking “the good word” throwing down hard hitting spokenword that deals with issues of Gender, Politics, Love, Sex, and everything in-between.
Katz’s spoken-word is raw, unapologetic, witty, and soulful. As Out Magazine wrote in 2006, “Katz avoids falling into the common spoken-word trap…and instead uses engaging wordplay, razor-sharp wit, and hip-hop rhythms.” He has had the honor of sharing the stage with such artists as Ani Difranco, Indigo Girls, Bitch, The Butchies, Danielle Howle, and Michelle Malone. He has also opened for poets of HBO’s Def Poetry Jam on more than one occasion.
Being a out Transsexual, Katz’s spoken-word often becomes a platform for education and activism, but all work and no play makes for one intense performance so he lets loose with sarcasm, pop culture references, and video’s featuring Barbara Streisand as Yentl and sassy footwork by the stars of the 1979 hit “Roller Boogie”.
Athens Boys Choir has been touring nationally since 2003, performing for audiences that are becoming more diverse everyday. You don’t have to be a spoken-word enthusiast to enjoy the lyrical stylings of the Athens Boys Choir. Katz has the unusual skill of opening even the most skeptical minds to the world of performance poetry. With this fourth release, Jockstraps and Unicorns, Katz/The Athens Boys Choir has established himself as a force in the spoken-word/queer/pop culture/homo-hop movement; you choose how it moves you.
The press wrote.
“No one since Ani Difranco has taken the power of the English language and put it to such good use.”
“With apologies to Alix Olson, spoken word has never been quite this good.”
“Katz avoids falling into the common spoken-word trap…and instead uses engaging wordplay, razor-sharp wit, and hiphop rhythms.”
“Katz has the nuance of an old soul when he does his thing. With the inclusion of class, culture, and race dynamics in transgender politics, Katz makes room for the evolution of a movement. He doesn't shy away from questioning his own community and remembers that humor broadens the most narrow minds. This self aware spoken word artist has potential to be a leader to his generation of queers and a bridge to an older generation if they are willing to listen.”